In a recent podcast interview, DJ Twitty, born Philani Khuzwayo, passionately defended the gqom music genre, emphasizing its deep-rooted cultural significance and resilience. Addressing critiques of gqom’s raw and unpolished sound, he stated that this intentional simplicity mirrors the realities and celebrations of South African communities. He highlighted that gqom is more than just music; it’s a movement that encapsulates the spirit and resilience of urban South African youth culture.
DJ Twitty also discussed the evolution of South African music, noting that while genres like amapiano currently dominate, gqom continues to thrive, especially in regions like the Eastern Cape and KwaZulu-Natal. He observed that, much like previous shifts in the music scene, gqom’s enduring presence is linked to its cultural ties, particularly among Nguni people who have a strong affinity for dance and drums.
Reflecting on his two-decade-long career, DJ Twitty shared his plans to release the “20 Years of Twitty” album around the Easter weekend. He expressed uncertainty about the future dominance of amapiano, suggesting that South Africans’ desire for new sounds means genres can rise and fall over time. However, he firmly believes that gqom’s connection to cultural traditions ensures its lasting presence.
Beyond his musical endeavors, DJ Twitty has expanded his horizons into music production. Having achieved significant success as a DJ, he is now focusing on sound, stage, and lighting, areas he has been passionate about for years. He views this venture as a natural progression, given his extensive experience in the entertainment industry.
In the broader context of South African music, DJ Twitty’s defense of gqom underscores the genre’s resilience and cultural importance. Despite facing criticism for its rawness, gqom continues to resonate with audiences, reflecting the dynamic and evolving nature of South Africa‘s musical landscape.
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