A short film exploring postpartum identity and motherhood has clinched top honours at one of the United Kingdom’s prominent independent cinema showcases. Milk and Mirrors won Best Short Film at the London Indie Film Festival, marking a defining moment for its director, Ekelemchukwu Nnaji, popularly known as Martinz Nnaji Jr.
The Nigerian born filmmaker, who is based in the United Kingdom, has gained attention for his disciplined visual style and his unflinching exploration of internal emotional conflict. Speaking on the recognition, Nnaji described the award as deeply meaningful.
This recognition means a great deal to me. The film was created with a quiet intentionality, allowing performance, silence and image to carry the story. To see it resonate at LIFF reinforces my belief in short films as powerful complete works and in the universality of deeply human stories, he said.
Written and produced by Kemi Kentebe, the film centres on Maya, a young mother navigating the fragile months after childbirth. As she confronts postpartum turmoil, a fractured sense of identity and a sudden professional setback, she is forced to rediscover herself both as a mother and as a woman.
Rather than spelling out her anguish through heavy dialogue, Milk and Mirrors relies on silence, restraint and nuanced performances to build an intimate portrait that lingers long after its final frame. The film presents motherhood not as a fixed ideal but as an evolving experience shaped by vulnerability, strength and self reflection.
Nnaji has worked across Nigeria and the United Kingdom, and the festival recognition adds to a growing list of African born filmmakers gaining ground at major international festivals. Milk and Mirrors stands as his latest short film and a testament to the emotional power of concise storytelling.
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